Wednesday, October 22, 2008

Rabbit, Run

What comes to mind when you think about the characteristics of a rabbit? For me the quality of timidity is uppermost so when John Updike talks about using the rabbit as a metaphor for his young protagonist in Rabbit Run, it’s not quite what I expected.

Rabbit, AKA Harry Angstrom, is 26. He feels like his life has already peaked. As Updike puts it; “You get the feeling you’re in your coffin before they’ve taken your blood out.” At school Rabbit was a basketball star but now he is a has-been, earning a living demonstrating a kitchen appliance, married to a girl who he feels little for and father of a child who figures little in his thinking.

It’s a brave book because the main protagonist is so rarely likable and we develop sympathy for, but no strong liking for most of the rest of the cast of characters. It’s a book written by a young man, about the life of a young man who is filled with impulse and a yearning for something that he can’t even articulate but it’s something like “Life’s gotta be better than this.”

The first part of the novel is a road movie. It feels like a movie, the camera sliding all over the place under a big starry sky and Rabbit ventures further out beyond his comfort zone although it is clear that the “comfort zone” of the town of Brewer is now a discomfit zone for him. I was scared reading it; I so wanted Harry to go home. He was so adrift in the universe and consequently ungrounded and vulnerable. Eventually he returns to Brewer but not to his wife and child. He hooks up with the first woman he meets, Ruth. He is hapless rather than opportunist but frustrating. I waited for him to begin to miss his little boy but 100 pages go by without a moment’s reflection about his son.
John Updike said that he wrote Rabbit, Run in response to Jack Kerouac's On the Road, and tried to depict "what happens when a young American family man goes on the road – the people left behind get hurt.”

The novel is also brave, for the time period, in the way it depicts the character Ruth, who, of course, is the character I most responded to. She struggles to identify what is good for her and to stand up for herself; Updike depicts her internal battles really well even though she gets only a limited amount of time in the book. Harry is dangerous and even though she is pregnant, she does not readily let him back into her life. I found myself desperately wanting them to get together but this would be such a bad deal for Ruth. Harry is a very bad bargain. Why did I want this “happy ending”? The following sentence says it all – Ruth has told Harry that she is pregnant to him and that she thinks he would be bad news back in her life and yet there seems to be a slim opening – and all he can think about is food; “He nervously felt her watching him for some sign of resolution inspired by her speech. In fact he has hardly listened; it is too complicated and, compared to the vision of a sandwich, unreal.”

Updike's novel is noted as being one of several well regarded, early usages of the present tense. Updike stated that "in Rabbit, Run, I liked writing in the present tense. You can move between minds, between thoughts and objects and events with a curious ease not available to the past tense. I don't know if it is clear to the reader as it is to the person writing, but there are kinds of poetry, kinds of music you can strike off in the present tense." He also writes “At one point Rabbit is literally lost, and tears up a map he cannot read; but the present tense, to me as I began to write it, felt not so much ominous as exhilaratingly speedy and free – free of the grammatical bonds of the traditional past tense and of the subtly dead, muffling hand it lays on every action. To write “he says” instead of “he said" rebellious and liberating in 1959.”

I very much like Updike’s prose as well as his exploration of the domestic. American society is undergoing a quiet revolution but Rabbit, Run is preoccupied with the struggle with domesticity, with the familiar, the unsexy, the predictable, the honest, the true, the respectable. And maybe that’s what the larger changes in US society are about too but they don’t impinge on this novel except that we can see, from the contrast in generations, from the aging Springers and Angstroms, from Coach Tothero, that the next generation is yearning for something different.

His prose? Here is another example ”He comes onto the porch to find the boy between his grandmother’s legs, his face buried in her belly. In worming against her warmth he has pulled her dress up from her knees and their repulsive breadth and pallor, laid bare defensively, superimposed upon the tiny gamely gritted teeth the boy exposed for him, this old whiteness strained through this fine mesh, make a milk that feels to Eccles like his own blood.” (p136) David Boroff, in a review written in 1960, described it as “a tender and discerning study of the desperate and the hungering in our midst.” Updike is perhaps a little soft on Rabbit but he was young too when he wrote it.

I read a lot of the "Rabbit" books in my early 20's and it's a great pleasure coming back to them: I am hungry for the next one.

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